Dante

Denni is a tunneller and Einar a farmer in the countryside of Iceland. They both practice wrestling but must keep their relationship a secret from the inner world of Iceland's national and very macho sport.

A figure transitions between two realities: An external material one - in which they are subjected to increasing levels of social interaction - picking up ‘human’ traits as they go. And an internal fluid one - in which they are able to seek refuge to be and feel themselves.

EXT. is centred around the experience of someone trying to figure out what it is to be ‘human’. The film is a reference to our experiences as social animals and the often absurd evolution we go through, to adapt to society.

It also references gender exploration - the journey of an initially gender neutral character, that is increasingly nudged to conform to a binary - in order to fit in - and their escape to a fluid space, devoid of expectations and norms.

The film uses movement instead of dialogue as a means of expression and follows the protagonist on their awkward journey through different surroundings, like an avatar in a computer game.

Three performers, Kawamura Mikiko, Kawaguchi Takao and Matsuoka Dai, studied three pieces of choreography by Butoh legends – Ohno Kazuo, Hijikata Tatsumi and Ohno Yoshito to replicate their works not by imitation but responded to the spirit of Butoh in contemporary ways.